Category: best thing ever (page 1 of 1)

2020 in Music


Anderson .Paak - Lockdown Music VideoAnderson .Paak - Lockdown Music Video

Anderson .Paak – Lockdown Music Video

As the lyrics begin in the video for Lockdown, Anderson .Paak stands with several other LA-based musicians whose work I admire. Their fists are raised. The names of far too many black people killed by police violence are used to make up the song title’s letters. Paak is wearing a black jersey with the word “riots” presented in the Los Angeles Sparks logo style.

It’s a night in late May or early June of this year. Protests have taken over this city in outrage over the death of George Floyd at the hands of a police officer thousands of miles away. In this city, people scream out in anguish for the extrajudicial deaths at the hands of those tasked, in theory, to protect and serve us over the years. We’re a little over two months into the pandemic, and it’s too much.

It’s all too much. And so the people rise. Black Lives Matter signs go up in our well-appointed neighborhood, including by store owners with boarded-up windows hoping not to be painted with the same brush as those with the guns and the badge. We’re all complicit, though, aren’t we?

Far too often, we vote blindly or with our pocketbooks in mind. We pay little attention to how the city makes decisions. We’re unaware of how it metes out the spoils of government funding or the processes it employs to do so. In any other time, we’d be more concerned with where we needed to get to next than the death of yet another black person.

Any other year, the city would have a more significant complaint about the inconvenience of civil unrest and anguish than the roots of that pain and the merits of those demands.

It was a lockdown, and yet the people were rising. I wasn’t downtown, but maybe I should’ve been.

Towards the end of the video, Paak embraces his son with tears in his eyes. It reminds me of the generational conversation that went viral around the same time of three black men trying to make sense of this endless repeating terror cycle. The pain and frustration and anger and hopelessness is palpable. It builds in their chests.

And mine.

Like, Anderson, I cry.

My song of the year.



Untitled (Black is) - SaultUntitled (Black is) - Sault

Untitled (Black is) – Sault

We present our first ‘Untitled’ album to mark a moment in time where we, as Black People and of Black Origin, are fighting for our lives. RIP George Floyd and all those who have suffered from police brutality and systemic racism.

Change is happening…We are focused.

— Sault

Sault first came on to my radar last year around this time as I explored Best Of lists. I believe they were included on several KCRW DJ lists for their first two very dance encouraging albums, “5” and “7”.

We don’t know much about Sault except that they are immensely talented British soul artists, though mostly anonymous. Michael Kiwanuka gets credited as a singer on occasion because his voice is recognizable, but most others remain unnamed.

Sault delivered two more albums in 2020, “Untitled (Black is)” and “Untitled (Rise)”. The former was released on Juneteenth with the statement I quoted above released on Twitter as it’s primary promotional effort.

Any time a song from any of their albums shuffles into my ears, I’m compelled to binge their rapidly expanding and impressive discography.

Not only is their music right for this moment in time, but it also seems to be a time traveler. There is a cosmic funk retro sensibility mixed with a constant push through the boundaries like afrofuturistic music explorers.

It’s how I wanted to feel in 2020: present, thoughtful, wise, and focused on the future.

Let’s go.

Artists of the year.



New Me, Same Us — Little DragonNew Me, Same Us — Little Dragon

New Me, Same Us — Little Dragon

Early in the pandemic, Little Dragon released New Me, Same Us. The second single, “Are You Feeling Sad?” was on repeat often during those chaotic weeks in March and April as the world turned upside down.

It played as I moved from working at the dining room table to the makeshift office I made for myself in our underfurnished second bedroom.

It stayed on loop as we started ordering masks and tried to navigate what we could and couldn’t do.

And as days turned into weeks turned into months and I began using an app daily to check in about my covid risks, that song was my check in on my emotional health.

“Are you feeling sad, Jason?”

Nope.

Every day, a new me. Every day, the same us.

And Little Dragon, as they have for nearly 15 years, light up my brain and heart and spirit with their sounds. Always in new ways but still the same them.

My album of the year.

2017 in Music

“Love. Long as we got…”SZA, Love Galore

2016 ended in such a discombobulated fashion that I didn’t do my usual annual accounting of the music that mattered. At least not in a blog post. In some private slack channel, Solange’s A Seat at the Table was my most important album of the year while DJ Khaled’s I Got the Keys was my favorite song. I didn’t remark on why things mattered though which is what I’m most interested in when jumping into the way-back machine to remember.

So, let’s take an accounting of 2017. A year that I thought might be dominated by protest music wasn’t. More than anything I loved music that was both adventurous and sure-footed. Musicians and performers who were confident in their vision while taking risks,  sonic and emotional. Artists who entered this challenging year and decided to be more open and raw and real rather than more closed off from the world. There’s a lot of melancholy and ennui in popular music these days, particularly in contemporary hip-hop, but that’s not where my ears were drawn. Give me driving rhythm. Make me dance. Lift me up. Swing out, sister. Wake up, brother.

The 2017 Mixtape

The song I listened to the most this year was Big Amount, a 2016 single off of 2 Chainz’s 2017 album Pretty Girls Love Trap Music. It still bangs, especially on my GO! playlist which powers my workouts and runs. A close second is the GRAMMY-nominated Crew by Goldlink. Goldlink’s music dominated the first half of the year. It’s energetic and infectious and is a reminder that the spirit of DC is alive regardless of whoever is spending their nights in the White House.

My Song of the Year though is SZA’s Love Galore. The first bars transport me. I sing along. I shoulder bop and shimmy shake. It stays with me long after it ends. It sounds like nothing else I heard this year. And SZA and Travis $cott make their performances feel effortless. In an age when indie, alternative, experimental rhythm & blues is, by far, the standout genre, this is the standard-bearer.

The rest of my faves are on this YouTube Playlist. You can also find them on Spotify though you’ll be missing JAY-Z’s 4:44 and Family Feud (feat. Beyoncé) in that version because streaming exclusives won’t let us be great.

The Albums

Most of the end of the year lists I’ve seen have had Kendrick Lamar’s DAMN. and SZA’s Ctrl in their top five or ten and often as one and two, respectively. While I’ve listened to DAMN. more, Ctrl is ahead of it on my list, but both lose out to Sango’s De Mim, Pra Você for the top spot.

Sango explained, “#DMPV allowed me to seek for more history; more understanding; more roots. We are all influenced by one another.” 

This statement could’ve been tattooed on my forehead in 2017. It’s been my mission to seek a stronger connection with my fellow humans, to better understand the how and why of the ways we treat each other, to be influenced and be influential.

De Mim, Pra Você is the soundtrack for that work.

The rest of the 2017 albums that mattered to me

  1. Sango – De Mim, Pra Você
  2. SZA – Ctrl
  3. Kendrick Lamar – DAMN.
  4. Jay-Z – 4:44
  5. Aretha Franklin with the Royal Philharmonic Orchestra – A Brand New Me
  6. Goldlink – At What Cost?
  7. Jordan Rakei – Wallflower
  8. Demi Lovato – Tell Me You Love Me
  9. Rapsody – Laila’s Wisdom
  10. Ibeyi – Ash
  11. Sampha – Process
  12. Tuxedo – Tuxedo II
  13. Bonobo – Migration
  14. Beck – Colors
  15. Haim – Something to Tell You
  16. Kamasi Washington – Harmony of Difference
  17. The xx – I See You
  18. Migos – Culture
  19. Sylvan Esso – What Now
  20. Leikeli47 – Wash & Set
  21. Halsey – hopeless fountain kingdom
  22. Jonwayne – Rap Album Two
  23. The Foreign Exchange Presents – Hide&Seek
  24. Jessie Ware – Glasshouse
  25. Lorde – Melodrama
  26. J Dilla – Jay Dee’s Ma Dukes Collection
  27. Vulfpeck – The Beautiful Game

Albums from previous years that were new and impactful to me 

  • Aretha Franklin – I Never Loved A Man The Way I Love You
  • NxWorries – Yes Lawd!
  • Aretha Franklin – Young, Gifted, and Black
  • Lion Babe – Begin
  • Lizzo – Coconut Oil
  • Terrace Martin – Velvet Portraits
  • Donna Summer – Bad Girls
  • LaBelle – Nightbirds
  • Sade – Diamond Life
  • X-Ray Spex – Germ-Free Adolescents
  • Andrew Bird – Are You Serious?
  • Baby Queens – Baby Queens

Shout-out to NPR’s 150 Greatest Albums Made by Women list for being the single biggest impact on my listening habits this year. It pushed me out of a rut. It reminded me how exceptional Jagged Little Pill and Control were and still are. It gave me an appreciation for Joni and Dolly and Dusty. It connected me with Donna Summer and LaBelle in ways I wasn’t before. It presented a shocking revelation: that I had never listened to an Aretha Franklin album before—only her ubiquitous hits—and that I had been missing out, grossly so. 

It sent me down a riot grrl rabbit hole that I hadn’t been in for years and left me in awe of the soul songstresses of the fifties and sixties. It made me more aware of the control playlists have on our ears—be they human curated on the radio or algorithmically driven on our favorite streaming service—and that we have to be diligent in seeking out artists and music that fails to break through our collective patterns.

I hope these thoughts and lists send you on some new sonic adventure. If it does, tell me about it, won’t you?

Bonus:

Here’s what Spotify says about my listening habits


Misterjt319 Spotify Wrapped 2017Misterjt319 Spotify Wrapped 2017

And, here’s the data Last.fm collected


MisterJT Last.fm 2017 Top ArtistsMisterJT Last.fm 2017 Top Artists


MisterJT Last.FM 2017 Top AlbumsMisterJT Last.FM 2017 Top Albums


MisterJT Last.FM 2017 Top SongsMisterJT Last.FM 2017 Top Songs

My Favorite Music of 2014

“When everything’s clear like cold water go feel better.“Little Dragon, Klapp Klapp

I rather enjoyed music this year. As I spent time re-listening to albums and songs in preparation for this post, I realized how much music I heard that I thought was genuinely good and interesting. In the midst of all the cotton candy confection on terrestrial radio and vine—a place that increasingly became where I discovered new to me sounds and artists and songs, some of which I actually liked—there were a lot of artists releasing confident and risk-taking songs and albums.

It almost seems anachronistic for artists to attempt to put out complete and connected albums with strong thematic ties or storytelling flourishes today. We live in the age of the eternally shuffled on streaming services like Spotify and Pandora and Rdio (my personal fave). The music video (even if it’s just lyrics or a static image) and soundcloud dominate the young ear. So why put together an album whose songs work better together? Especially with the standard being about 10 songs and 45 minutes these days? I don’t know but I’m glad folks did.

My Favorite Albums of 2014


nabumarubberband.jpgnabumarubberband.jpg

  1. Nabuma Rubberband – Little Dragon
  2. Art Official Age – Prince
  3. Piñata – Freddie Gibbs & Madlib
  4. Black Messiah – D’Angelo & The Vanguard
  5. Tough Love – Jessie Ware
  6. A Love Like Ours – Dominique Toney
  7. Sylvan Esso – Sylvan Esso
  8. Jungle – Jungle
  9. Oxymoron – Schoolboy Q
  10. With Metropole Orkest. – Laura Mvula

Some notes: D’Angelo did me dirty like Beyoncé did last December and put out an album that’s impossible to deny but that I haven’t had the time to sit with like I have with other albums. In fact, Black Messiah’s inclusion bumped Mary J. Blige’s The London Sessions—another late in the year entry—out of my top ten but you should really cop that one too. You’ll also have to forgive the nepotism but my sister’s album is good y’all. 

Little Dragon, Prince, and Freddie Gibbs with Madlib on the production produced the albums I kept coming back to this year, though. Every time I hear just one song from their releases I want to hear the whole collection. Art Official Cage is a revelation. I haven’t enjoyed the purple one this much since the Batman soundtrack.

Like Pusha T’s album last year, Piñata was the get hyped soundtrack for 2014. I bumped that in the car on road trips, in the morning on the ride to work, on the way home to take the edge off (or get it up). I was Thuggin’.

Ultimately, though, there’s a certain sound and sensibility that gets to me (gets me) more than everything else. Little Dragon is one of those bands and Nabuma Rubberband is one of those albums. Love it.

Other albums worthy of considerationMichael Jackson’s XSCAPE;  Kelis’s Food; alt-J’s This is All Yours; FKA Twigs – LP1; Sam Smith’s In The Lonely Hour; Jóhan Jóhannsson’s The Theory of Everything soundtrack; The Juan Mclean’s In A Dream; and, Nicki Minaj’s The Pinkprint

The Top Songs of 2014


rdiosongs2014.pngrdiosongs2014.png

Rdio helpfully made a playlist. It’s pretty accurate although last.fm notes a few differences. Klapp Klapp was the song I went back to the most this year though less so in the last quarter of 2014. Drake’s 0 to 100/The Catch Up and D’Angelo’s Sugah Daddy deserve mention for the back 90 of this year.

Two important musical notes for me at the end of 2014 came out 22 and 25 years ago but seemed especially relevant for the complex ways I was/am feeling about the world. The hope and clarity of Janet Jackson’s Rhythm Nation 1814 and the anger and obstinance of Ice Cube’s The Predator were what my soul needed as America in the Fall of this year felt more like Los Angeles in the Spring of ’92. Rage and sadness and uprising and the knowledge and power to the people. 

We are a part of a rhythm nation and 20 years after Rodney King we’re still asking “when will they shoot?” and so we’re going to make it rough.

The Story-Reading Animal

“All you ever did was break me.” Miley Cyrus, Wrecking Ball

I read 24 books over the past 52 weeks. And, as usual, it’s hard to select a favorite one. I only read for pleasure so if I don’t like a book, I don’t finish it. If I do finish one, I found the experience quite enjoyable.


thestorytellinganimal.jpgthestorytellinganimal.jpg

The Storytelling Animal by Jonathan Gottschall–which I added to my queue on an endorsement from Brain Pickings–was my most highlighted book of the year and this was my favorite line:

Even when the body goes to sleep, the mind stays up all night, telling itself stories.

So, if I were to recommend a book I read this year, it would be that one.

These are the other reads from this year that I’d suggest to others

I read others but these are the ones that left a mark.

My Favorite Music of 2013

“So go on be my dealer, babe.” Justin Timberlake, Pusher Love Girl

The song I listened to most this year was the one quoted above. It’s off of The 20/20 Experience (part 1. Part 2 should probably die in a fire), the album I had listened to the most this year until this past week when Beyoncé’s BEYONCÉ sucked all the air out of the room leaving only room for her.

I don’t even know how to explain my listening habits this year. There was less hip hop and more pop. I had a soft spot good teeny bopper records. Hudson Mohawke

Anyway, here are the rest of the records I recommend from this year:

Here are songs I listened to a lot that weren’t on any of these albums (not necessarily 2013 releases):

And here are artists that deserve mention since they have yet to be:

8 Moments That Show You Why Art Don’t Sleep in LA

“A.N.G.E.L.”Miguel Atwood-Ferguson w/ 60 Piece Orchestra, Angel (feat. Dwele) 

What you know about The Beat Junkies? The Mayan Theatre? Andrew Lojero? Carlos Niño? The Gaslamp Killer? J.Rocc? That Syndromes Mixtape? Multiculti LA? And the incredible Miguel Atwood-Ferguson?

Those that do be knowin’ congregated at what counts as church for us this past Sunday night and we were elevated… 

(note that instagram isn’t very kind to their video and don’t show play buttons. Some of these are playable. click!) 

My favorite song. And if you’re paying attention, you can see my head nodding. 

This is a moment so nice, you need to see it twice… 

In LA, art don’t sleep. And we’re forever grateful.

Louisville is for Lovers

“Like a kiss of sunshine on my face”Basement Jaxx, What A Difference Your Love Makes

Tiffany and I were asked to do a reading that excerpted part of this conversation between Calvin and Hobbes about love at a wedding this past weekend and were delighted to do so.

I’m still all filled up with love as I type this at 36,000 feet on our return from Louisville, so let’s take an accounting of the things I loved about the last four days

  • The 21C Museum Hotel
  • Seeing Felicia for the third time in six weeks
  • Meeting the boyfriends of some of my favorite people
  • Genuinely liking and approving of those dudes
  • Rain. Lots of it.
  • Lightning.
  • Accidentally going to Indiana.
  • The Silver Dollar.
  • Babies with expressive old man faces
  • My yarmulke staying on my head
  • Not accidentally driving into a flooding creek
  • Please and Thank You chocolate chip cookies
  • Bourbon and Orange Juice
  • The giant Louisville Slugger
  • Nancy and Sheldon
  • Brigid Kaelin playing the saw
  • Photobooth antics
  • Large red penguins in odd places
  • Double rainbows
  • Endless nerdy conversations
  • Endless laughter
  • Lipgloss and vitamins
  • The delight that is the brides’ friend Allison
  • Golden Boy
  • Feeling so honored to be participating in the first wedding in the newly renovated synagogue.
  • Acknowledging the power of love. This wedding was of two women, together for 18 years, civilly married this summer in another state, religiously married in front of friends, and family, and their congregation.
  • Being so impressed by a religious institution taking the opportunity to accept and love this non-traditional couple into their flock and use it as a catalyst to re-affirm their commitment to love, to learning, and to being a welcoming place.
  • Realizing that this was 8 years after I first met them in person at the scene of their commitment ceremony. It’s the first time I’ve been a part of a Jewish wedding and the first time I’ve been part of a wedding since June’s Supreme Court ruling on marriage equality but not the first time I’ve been part of a celebration of their love and commitment.
  • Those two ladies. Our lovely brides. So best.

 

The Best Thing About August 2013

“Why can’t we tell somebody?”Luther Vandross, Your Secret Love

In August, I committed to doing the work of being a curious soul. To read in a deliberate fashion. To write in a deliberate fashion. To follow my imagination where it leads.

There were little victories like making a commitment to writing and reading every day and, mostly, sticking with it which presented bigger rewards. Getting back to those things which keep me most sane provided a less cluttered mind which, in turn, gave me the room to keep a, mostly, clean house; to hold, mostly, to my workout regimen; to being a more present member of my family.

Hell, I even sent my grandmother’s birthday card on time.

I imagine, though, that what I will remember about August won’t be the work but the respite.

For a few days, we escaped to Palm Springs and the Ace Hotel. It was hot—112 degrees at some points—and it was wonderful. I took a mini-social media vacation during it. I read. I drank. I ate. I swam. I exercised. I slept.

What I enjoyed most, though, was the unencumbered opportunity to just talk with my partner in life. To talk about life. A road trip is an excellent time to re-ignite verbal conversation. We’re digital folks. We’re both in our gadgets all the time at home. Hell, we IM each other questions when we’re in different rooms in the house. If I’m being real, we do that when we’re in the same room, sometimes.

So, to look in her eyes and to ask questions and hear answers and see who she is in that moment? The best in life. After the trip, I’ve found more opportunities for this. Small things, like keeping the dining room table clean so that we’re inclined to eat there instead of in front of the TV. Taking that long walk with her when the opportunity arises. Remembering to say things out loud instead of living in my head or online.

The person I am most curious about in this world is Tiffany B. Brown. That pause in the middle of the month was the explicit reminder of something I think I know implicitly: that getting to know more of her every day is a gift.

The work of knowing her is never done. And it’s not really work at all.

 

The Best Thing This Week: Quadron

“Open your mind like a child.” Quadron, It’s Gonna Get You

I’ve seen Quadron, and Coco O. specifically, perform live several times now. Three times in the last 12 months, in fact. I’m enamored with Coco’s voice, her delightful energy, her style, and this sense that she’s still amazed that she’s on stage performing for people even after two albums of some acclaim and becoming a staple in the best music circles around Los Angeles.

The standout from this week’s performance at The Troubador was their cover of Baby Be Mine but, this past December, I was in the venue for this:

 

And still, chills.

The Best Thing Ever This Week: Fall

“Lost beside the sound of the wind.”King Britt presents Sylk 130, Seasons Change


All rights reserved by IronlakAll rights reserved by Ironlak

All rights reserved by Ironlak

The first Monday of October in Los Angeles can be a record breaking hot day. Just a few days later and you’re snug under the blankets thankful for the warmth.

One moment you’re obsessed with the recent past. The next, you’ve only got eyes for the uncertain future.

Seasons change.

And it’s wonderful when you’re able to notice. To accept it. To be delighted by it.

Even here in Sunny Southern California, the leaves turn. 

Ain’t nothing to do but turn with ’em.