Category: Uncategorized (page 2 of 2)

My 2014 Grammy Weekend

“I’m a fool for that sound in your sighs.”Rhye, Open

Two performances will stick with me from this weekend.

At the MojaMoja Brunch, an annual tradition for me and always one of the best days of the year, groovy and soulful sets from Kelela and Irene Diaz and Hiatus Kaiyote (I’ll come back to them) and The Boogaloo Assassins were over-shadowed by the amazing and rare live presentation from Rhye.

Woman was on my end of year list but I was not prepared for the power of Milosh’s voice live or the added lush to their music from live strings and enhanced for the stage production.

During the show, it was said that they are performing at Disney Concert Hall in April but I can find no confirmation of this anywhere. Assuming it’s true, I must be there.

Then, on the live show—which had to be watched on lame tape delay on CBS—Kendrick Lamar and Imagine Dragons ran away with the marathon event.


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Let the campaign for a full album collaboration of Kendrick and the Dragons a la Jay-Z and Linkin Park begin now. They did record a studio version of their version of Radioactive suggesting it’s possible.

While they didn’t win, getting to see Hot 8 Brass Band perform Saturday afternoon in front of a far too staid audience at Bardot gave me that NOLA injection that I am clamoring for this time of year. Now I’m ready for Mardi Gras and King Cakes and my first Jazz Fest this Spring.

And then there’s Hiatus Kaiyote. I’d heard the name but hadn’t listened at all to the music before this weekend. Nakamarra—their grammy nominated but losing song—is superb and their live show was inspiring.

As I tweeted:

I think so. 

In 2013, I liked music from a wide variety of people of different skin tones and cultural, global backgrounds crossing genres and exploring sounds. I most liked soul sounds with 80s UK retro vibes or futuristic explorations. I liked EDM tinged hip hop production paired with female vocalists—often white. I liked gritty rap and emo rap and confection quality pop.

And I liked The Heist.

Discussions of cultural appropriation are valid and important but I just didn’t feel that in last year’s music (Miley and the VMAs are another story but I still like Bangerz). Whether popular or bubbling under, the music I heard last year and over this past weekend felt like it fit right in with the world. We can always quibble over the wins and losses at an awards show, particularly one with categories as nutty and inconsistent as The Grammys, but I liked what sold last year and what was critically acclaimed. I didn’t feel like artists were getting cheated or ignored or marginalized.

2013 was the first year in a long time when hip hop didn’t dominate music industry sales. 2013 featured a lot of black music producers setting the style and sound for big pop artists and interesting genre artists—and they weren’t hidden. Pharrell  was the star of the night and the year. Mike Will Made It. Yeezy taught me.

So, I’m delighted I got to see some pretty exceptional and eye opening performances. I was introduced to new music. That a gay civil rights anthem was meant to be the signature moment of the night. That Jay Z and Beyoncé do whatever the eff they want. That Seu Jorge has his guitar.

That I live in Los Angeles.

That music is all around me.

My Year with Music 2012

“Can you feel what I feel when I feel what I feel?”Ab-Soul, Empathy (feat. Alori Jah & JaVonte’)

For better or worse, I fell whole hog into streaming music this year as Spotify’s player is just so convenient. I don’t think I’ve purchased less music than I have in 2012 in my adult life. That said, I think it’s important to pay for the things you love or because of scarcity—that does work record industry (if it’s good)—so these are the albums I bought this year in some kind of order of magnitude that gets fuzzier  the further down the list you get.

  1. Channel ORANGE by Frank Ocean
  2. Black Radio by Robert Glasper (and the remix album)
  3. The Heist by Macklemore and Ryan Lewis
  4. Good kid, m.a.a.d. city by Kendrick Lamar
  5. The Idler Wheel Is Wiser Than the Driver of the Screw and Whipping Cords Will Serve You More Than Ropes Will Ever Do by Fiona Apple
  6. Radio Music Society by Esperanza Spalding
  7. Pour Une Âme Souveraine by Meshell Ndegeocello
  8.  The Hunger Games: Original Motion Picture Soundtrack by James Newton Howard
  9. True by Solange
  10. Control System by Ab-Soul
  11. Until The Quiet Comes by Flying Lotus
  12. Rebirth of Detroit by J Dilla

Channel ORANGE is my album of the year. Frank Ocean‘s debut haunts my mind and has since the moment it was available on iTunes. It is so rare that a creative work lives up to hype and controversy but this exceeds that. I would be hard pressed to choose a favorite song from the set but Sweet Life and Super Rich Kids (and Pyramids and Lost and Thinking about You and Bad Religion and Crack Rock and on and on) have often been the songs I catch myself randomly singing.

Beyond his album, Mr. Ocean, though, also represents a lot of what appealed to me this year in music. I enjoyed west coast, thoughtful, identity-driven music like that coming from the Black Hippy Crew or Macklemore and Lewis. The Heist which features Same Love is also a reflection of how much queer-focused music was in my ears these last 12 months whether it was Zebra f’n Katz or Ab Soto or Big Freedia or LE1F whose Dark York I just downloaded this morning after finding myself dancing to the Liquid EP by him and Boody earlier this week.

And then, of course, there were the artistes who are always pushing their genres forward. Robert Glasper, Esperanza Spalding, Meshell Ndegeocello, Fiona Apple, Flying Lotus, and Solange all did that well in 2012.

The Hunger Games was my favorite soundtrack this year (and my favorite movie) but Beasts of the Southern Wild and Skyfall also have that kind of instrumental music conducive to getting in a rhythm at work or with a book.

I’m quite happy with my live music calendar from this year. I’m on the path to accepting that I just won’t see as many acts live as I used to but the concerts I do get to are good ones. Miguel Atwood-Ferguson and Andrew Lojero’s That 70s Soul show from just a week ago, though, was spectacular.

And I shouldn’t forget the catchy tracks that end up topping my actual charts because they end up on my workout mixes. Shout-out to Maybach Music Group and Radio Disney faves like Carly Rae and Bieber and internet sensations like Gangnam Style  and Hot Cheetos and Takis.

Honorable mention to Miguel and Usher and Brandy who all made really solid R&B albums that I have yet to see fit to purchase yet.

Now, go buy some music.

    Why?

    I’m privileged. I’ve rarely felt afraid for my person. I’ve never feared violence would come into my home. I’ve never lived in places where I thought safety was an issue. I’m a man.

    So, I wake up this morning with just a question: Why do we, as Americans, find guns in the home so necessary? All kinds of guns. From the six shooter to the semi-automatic rifle. From the shotgun relatives of mine might keep under the bed so that they feel secure in their sometimes violent neighborhoods to the air rifle used in Newtown, Connecticut.

    I don’t understand it. I spent two weeks in Indonesia last year and read the local news daily. In the 4th largest country in the world, two weeks went by without a mention of gun violence. The most serious criminal issue in the Jakarta Post (and it was covered for several days) was about a man brandishing a knife on a college campus threatening people. I don’t believe anyone was hurt in the incident. It was so stark a difference for the headlines in my local paper that I marveled at it every day.

    Other countries with societies and freedoms and economies and people similar to our own don’t go through what we go through every day as it relates to guns and the deaths they cause here. Why do we believe the trade-off is worth it? Life for unregulated freedom to own all types of guns.

    Help me understand.

    Why?

    Down and Out at #SMWLA

    “Tell me what is going on so heavy out there.”No Doubt, Settle Down

    I wasn’t inspired today.

    Don’t get me wrong, there was a good amount of interesting today. Like

    • B666S’s takeover of the smwlagoingbig hashtag (which was, really, the most “social media” thing of the conference for me so far and by far for me) and my almost-sort-of-learning-but-not-quite what the #yungkloutgang is
    • NFL’s digital lead punting a bit on how the sports league was dealing with the replacement refs issue especially in light of last night’s game

    But, unlike yesterday, what was missing from the social media week events that I attended today was a consistent reminder that we’re all doing this stuff, ultimately, for the people who are receiving, interacting with, and, hopefully, sharing all these efforts.

    Today seemed to be more about the struggles of this industry; about how to make it in digital LA; about self-promotion. All valid topics of discussion but not inspiring.

    I want to keep talking about communities, and identity, and self-expression, and connecting, and what good, real good, we’re doing with all this.

    I’m greedy. I got a solid dose of that with the civic-minded focus of much of yesterday’s io/LA schedule and I know more is coming later in the week, but I want a little more balance. A little more awareness and discussion of the individuals that make up the social networks that brands or whatever are talking to and why they care so passionately about something, what they are looking for from their interactions with marketing and promotional content, and what else deeper is going on.

    We overstate often the power of these social media tools and services to bring about change but what isn’t discussed enough at these kinds of events for my taste is the psychology and sociology of it all. The human impact on an individual and her neighbors whether they are down the street or across the world and that sense of belonging (or isolation) that these new ways of interacting bring. 

    Amaryllis Fox of Mulu did seem to get this as she noted during the Smartest Girls in the Room panel (and i’m paraphrasing) that no matter the business, the underlying root of whatever it is is a human interaction.

    Yes.

    May the interactions I have for the rest of the week at SMWLA be a  little more human.