Tag: sleepy hollow (page 1 of 1)

Ephemera

“Now she’s long…long gone.”The Black Keys, She’s Long Gone

When there are events in the world, the event and the conversation surrounding it unfold on Twitter, the entirety of the experience of that event can be much more rich and engaging and deep on Twitter…The challenge when you try to put these event experiences on Twitter in front of people is they need to both capture all the best tweets, you really want the best tweets so you don’t miss those, and yet if you only show the best tweets, you lose the roar of the crowd that really makes Twitter awesome.

Dick Costolo

I’m at my mother-in-law’s house in Greensboro, North Carolina. We arrived last Monday after a red eye flight from Los Angeles. My internal clock was still adjusting. So, when 8pm rolled around—or whenever it is that Sleepy Hollow comes on, I DVR it at home so I really don’t know—I wasn’t watching. My twitter friends were, though. The running commentary in that moment was more frustrating  than entertaining as I wasn’t sharing the experience at the same time.

I watched the episode a few days later via FOX’s iPad app. It would’ve been nice to be able to replay what my friends were saying when  they had watched it. But twitter isn’t built like that. Neither is facebook or most of our social web, for that matter.

Most tweets have a lifespan of less than 30 minutes. A facebook post maybe an hour. Instagram limits how far back you can scroll into the past. So, if you’re not on those services right now and someone is writing/posting about something you care about, you’ve missed it. I’m sure this seems mostly okay in this digital world that we’ve been playing in over the last ten years.

This is a world where people willingly, perhaps gleefully, dump their history as they jump from service to service or account to account. But, I wonder. Maybe we go with this because we haven’t been given other options.

Maybe this is why a service like Pinterest is performing so well. Pinterest provides the “river of news” but that’s not why people use it. People use it because its boards are memory books. You know what you post there will be easy to find later. It will be categorized. And everyone else is doing the same thing. Pinterest collects ideas, wants, and desires and stores them. You could use Tumblr in a similar fashion by searching tags or exploring an individual tumblog.

But who is collecting and collating thoughts or images around a topic in an easily searchable, inherently social way? How do I relive the Jessie Ware concert I went to two weeks ago via all the pictures, videos, and tweets that I know were posted because I saw them getting created? I’ve tried to do this several times over the last 6 months and have always felt unsatisfied with the attempt.

What about an important news event that happens while I’m sleeping or in a meeting? Why can’t I timeshift the social web like I can my favorite tv shows?

We’ve made the modern web ephemeral and, in doing so, I think we’ve robbed ourselves of turning shared digital experiences into true memories that have meaning beyond those brief instances when we’re all tapping away at the same time. I hope the next wave of big digital ideas tackles this.

It’s the kind of stuff I get excited about it in my own work conversations. 

Projects like Thinkup make me think I’m not the only one. 

All filled up on Black misery

“That’s all I have left. Just let me hide”Joann Garrett, Walk on By

By all accounts, 12 Years A Slave is a masterful film expertly acted and directed. It’s powerful and moving and meaningful. It’s everything an Important Film should be.

I probably won’t see it. At least not in the theater.

I didn’t go see Fruitvale Station this summer, either.

You see, I’m all filled up on Black misery. I’ve had my fill on dramatic portrayals of true life misery in general but Black misery? My heart won’t take it.

I hope these films do well. I want them to do well. Hell, I even considered buying tix for Fruitvale Station one weekend and just not going. In fact, I need these films to do well, to be critically acclaimed, for people to be aware of them so that I get more of the stuff I actually find entertaining.

In the theater, Newlyweeds has been one of my most memorable and enjoyable entertainment experiences this year. I love few film series more than the Fast & Furious franchise. The multicultural cast of Pain & Gain made that strange film mostly work.

On TV, this season I am mostly watching shows that reflect the diverse world I know in the ways I know it. On Sleepy Hollow, folks of color in good government jobs talk to each other all the time as they try to figure out their newly supernatural world. Subtract the supernatural and you can say the same about Elementary. On Boardwalk Empire, there’s the very white world of 1920s Prohibition America and then there’s the very black world of the Harlem Renaissance and growing discomfort with the status quo. And y’all already know about Scandal.

These things show me characters that look like me and my friends and the communities I have lived in my entire life. They then put those people I recognize in situations I find compelling and interesting and entertaining. There may be turmoil and pain and heartache but it’s of a fictional nature.

I tend to bucket films like 12 Years A Slave and Fruitvale Station with Zero Dark Thirty and The Hurt Locker. They are war movies and I’ve never been compelled to watch war flicks. I’m not sticking my head in the sand. I know the tales being told. I’ve read them. Over and over again. Just as “multiculti” has been the default status of my personal world, I am all too aware of the world that made it and it’s history.

I just don’t want to see it re-enacted in high definition on a giant screen in dolby surround sound. At least not this weekend. Not this year. Maybe not next.

My soul would rather sing than scream.