Tag: playlist (page 1 of 1)

Switch

What’s the most ethical way to listen to digital music?

By ethical, which major services pay the fairest royalty to artists and music rights owners on a per-play basis? Spotify has been the most prominent digital music provider for years, and they have used that position to pay less than their competitors. They also are increasingly doing what tech companies tend to do when they begin to dominate the industry they are disrupting: find ever more creative ways not to pay people.

The collective disappointment with this year’s Wrappedincluding me—has sparked a drumbeat of social media users reminding us that there are services that treat artists better than Spotify and provide more value for their customers if higher audio quality is your thing. TIDAL, Apple Music, and Amazon Music can all make this claim.

An infographic explaining streaming royalty rates, including a bar chart that shows that Tidal pays out the best while Deezer pays the worst, and several factoids about the state of music industry revenue

credit: ProducerHive

I have requirements beyond the baseline of a good digital music service—catalog size, playlist diversity, personalization, and audio quality. The most important of which is relatively niche: integration with Last FM. If you’ve been paying attention, you know I’m a bit obsessive about capturing my listening data, and this year’s Spotify Wrapped hammered home the need to continue to have a solution independent of the digital streamers.

That requirement severely limits my options as few services natively integrate with last.fm anymore. I could make it work if I only listened to music via iTunes or a web browser. Still, I regularly switch between my laptop, my phone, and my tablet, and so, despite having access to all of the major services in some form via bundles I pay for, they won’t work for me in this case. [ed. Note—we’ll need to examine the value of these bundles in the future.]

It’s frustrating that this is the case, but I don’t mind shifting to TIDAL. I’ve used the service before. They pay the best per stream of all the major digital music providers. They have the highest quality audio. It should be a no-brainer, but I have used Spotify so much over the decade since the death of rdio that I have gotten used to the things they provide.

A Pay table with three columns—Streaming Platform, Royalty Rates (per stream), and Streams Required to make $1. It only requires 78 streams to make $1 from Tidal Music while it takes 314 to achieve the same on Spotify.

credit: ProducerHive

But I’m listening right now, and the music sounds excellent. The transition felt daunting initially, but playlist transfer was easy thanks to TuneMyMusic (though why they require a subscription is bewildering. This is a once-in-a-blue-moon use case. Charge me once or on a per-usage basis). Within a couple of hours, I started to find my way. TIDAL has human-curated playlists like New West Coast, Women of Hip-Hop, New Arrivals: Hip-Hop and R&B, Grown Rap, Real Love: Best New R&B, R&B Hits, and Pop&B that are fair proxies for the mostly ML-based recommendation playlists that I used on Spotify. As I listen to more music, the home page is refining and showing relevant playlists, artists, songs, and albums I will likely explore. 

My Tidal home feed has sections for Suggested new albums, recently updated curated playlists, user playlists I might like, and albums it thinks I might want to revisit.

After using TIDAL exclusively this weekend, personalized music mixes appeared on my home page feed this morning.

My Tidal home feed has sections for custom mixes, my favorite artists, recommended new music, and curated Essentials playlists from artists I might want to get to know better.

There were some mishaps. I lost some song scrobbles because I didn’t check if I had to sign in to Last.fm on every device where I am using TIDAL (I do). Track-level data cleanup will be an ongoing concern, but I learned that I can correct metadata mistakes from TIDAL’s scrobbles to Last.fm by editing a track at the scrobble level. The cool thing is that when I correct that data, Last.fm allows me to correct previous scrobbles and set it so future appearances of that track will be automatically updated to the proper naming conventions. What a revelation! For example, I was able to go back and update scrobbles from when Kendrick Lamar’s GNX first dropped—before the featured artists were included in the track name—and fix those so I have an accurate count of how many times I have listened to dodger blue (feat. wallie the sensei, siete7x, roddy ricch) and peekaboo (feat. AzChike).

Fewer algorithmic playlists mean more active and intentional listening, and intention is IN for 2025. I’m tired of being tricked by convenience into being passive in so many things in my life. I want my brain to make more choices about things that matter to me, like what I’m listening to and why. I want my values to be the driving factor in where and how I spend money and time. 

If you’re on TIDAL, you can find me here

Where do you listen?

Banner Photo by Kojo Kwarteng on Unsplash

Things Will Get Better – 2023 in Music

In October, a new and unexpected routine developed in my life. I was driving to and from medical facilities to visit my father, who had gone in to be treated for pneumonia that ultimately turned into a tracheostomy. On those drives, I first turned to Spotify-powered “Uplifting” mixes—even going Gospel on occasion—but eventually that commute became the daily spin of Cleo Sol’s Gold in its entirety.

As a primary vocalist in Sault and in her solo work, Sol has always explored her spirituality in her records, but Gold stays focused on the role her God plays in her life. It’s a Christian-oriented faith, but the songs are non-denominational. I’m apathetic towards religion, but I’m a sucker for praise music, especially when I’m seeking to fill my heart with generosity, empathy, joy, and hope.

When I was pulling into a hospital or clinic parking lot, Cleo was belting that things would improve, and I believed her.

My album of the year.

When I combine Cleo Sol’s solo work with all my spins of Sault, she’s my most listened-to artist of 2023, beating out Beyoncé, whose Renaissance continued, and De La Soul, who finally came to streaming after decades of battling with their record label.

Jungle, however, is my selection for artist of the year. By the time Volcano came out in August, I was already in love with nearly half of the tracks. Candle Flame, Dominoes, Problemz, and others had all been released throughout the year and became frequent selections on a variety of my playlists. Then, they spent the rest of the year releasing videos for every song on the album that work together as a short film/musical. Tom McFarland and Josh Lloyd-Watson have worked with many of the same dancers since their first album, and Volcano is a showcase for the power of that loyalty and community. They even went viral with the dancing and vibe of Back on ’74.

They understood the assignment.

Speaking of vibes, I loved internet sensations. My mixtape features TikTok hits like 6000 Degrees (AH HA) by $hyfromdatre, Eat it Up by Lil Vada, You Wish by Flyana Boss, Lovin on Me by Jack Harlow, and Water by Tyla.

I felt my connection to contemporary hip-hop slipping away this year. While it was my top genre of 2023, much of that was revisiting older stuff. Sure, give me a J. Cole or Cardi B feature. I’m down for bars from Doja Cat‘s problematic personage to go with the many women out here rapping right now. Still, no 2023 release is among my albums of the year, and my top artists lean toward Indie Soul, Alternative R&B, and, increasingly, afrobeat/afro-futurist.

Afrofuturism. That’s how I’d describe my relationship to music in 2023. Looking forward and back with an appreciation for sounds that come from and are for the soul. Give me tunes that ignite and inspire. Dance with my inner optimist. I’ll headbang, head nod, and even cry to the beat so long as it’s in the service of a tomorrow that improves upon today.

Things will get better.


Albums of the year

  • Gold by Cleo Sol
  • Volcano by Jungle
  • The Age of Pleasure by Janelle Monáe
  • Guts by Olivia Rodrigo
  • Angels & Queens (Deluxe) by Gabriels
  • Falling or Flying by Jorja Smith
  • Buhloone Mindstate (Reissue) by De La Soul

Also, check out Golden by Jung Kook, Slugs of Love by Little Dragon, Jaguar II by Victoria Monét, Happiness by Dargz and Homegrown by Carrtoons

Artists of the year (that haven’t already been mentioned):

Jessie Ware, Hannah Jadagu, Allison Russell, Adi Oasis, Izo FitzRoy, Kelela, and Okvsho

How I listened in 2023

Spotify is my music app of choice. I maintain an all-time top 100 and a top 100 for each year. On Saturdays, I refresh my top 40 playlist, create a new playlist to drive my listening for the coming week, and explore music with my Release Radar and X by doing Y playlist. I regularly update two exercise playlists: Close Your Rings and an ultimate workout mix. On Wednesdays, I let the Spotify algorithm drive my listening with the AI DJ and the Daylist.

If your app doesn’t connect with last.FM, I can’t use it. I love my stats too much.