Tag: americanah (page 1 of 1)

Urban Tumbleweed: The Dust That Clings…

“It’s just another day, another episode.”Van Hunt, Dust


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Zadi Diaz tweeted this the other day in a retweet:

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That resonated with me as I’d been slowly making my way through Urban Tumbleweed, Harryette Mullen’s tanka diary released late last year. Like Americanah, I read this as a physical, rather than e-, book. Poetry seems like something you should be able to squeeze between your fingers or hear spoken aloud.

It’s entirely possible I don’t know what I’m talking about, though. I don’t read much poetry. My interaction with poems are more of the rhythmic american variety.

But I tumbled an LA Times review that featured one of her tankas and it was clear something in it was meant for me. So, I’ve been reading it during rides to and from work and finding myself attempting to capture my observations of the happenings on the metro in verse.

Tankas. Longer than the haiku that are more common in the US. These are my poor attempts at that form.

A trio of girls take selfies on the speeding train, 
Quick flashes of light and dark as background 
I could learn from their artistry

The toddler and the old man next to each other but unrelated 
One in stroller, the other with cane 
Neither on sure footing

Loud youngsters drink and intimidate until they reach their stop
As the doors close
Quiet kindness returns for the relieved riders

Two girls pantomime being fisherman and prey
Giggles, smiles, and finally an embrace oblivious to all 
I smile too.

The world makes more sense in a poem.

Falling in Love with an Americanah

“Now I’m falling in love all over and over again.” Onyeka Onwenu, Falling in Love


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I’m listening to Onyeka Onwenu’s Legend Reloaded right now. She’s a popular Nigerian singer and actress (and much more) who gets name-checked in Chimamanda Ngozi Adichie’s Americanah. I’d never heard of her before which is probably a sign of my American-ness. Characters in the book—as well as real people discussing Beyoncė’s Grown Woman track—roll their eyes at the rest of the world’s seeming inability to get beyond Fela Kuti and 70s era Nigerian funk and soul and see the progression and complexity of modern popular culture in the country.

Beyond the relationship between the two main characters, Ifemelu and Obinze, which is a compelling one, what I was most appreciative of is this constant reminder of how ignorant I am of Africa and it’s many varied peoples and countries. I’m humbled by this. While reading, I felt far less cosmopolitan than many of these fictional folks.

If you’ve read any recent best of book lists, you know this is one of the most beloved novels of 2013. So I’m not going to review it. It’s very enjoyable. I could spend a whole ‘nother novel with the character of Dike who, if this was a movie, steals the show every time he appears.

I will note that this is the first physical novel I’ve read in a good long while. Most of my physical books these days are graphic novels. I retained more—at least of the emotional impact—reading this way. That tactile connection is powerful. I did miss being able to quickly highlight sections of the book and be able to go back and review them online. My scribbled down notes aren’t cutting it and so you’ll find no quotes on my tumblr or referenced here because I’m not sure of their accuracy.

This was my first Adichie book. 

It won’t be my last.